'Low Fidelity’ brings us up to speed with Lindström’s actions of the past dozen years in a range of seven works spanning live recordings and studio commissions, all sharing a certain bloody-minded, uncompromising focus on atonality and arrhythmic structures. Definitely one for harder-nosed noise and avant garde fiends, the set fits very neatly within iDEAL’s roster of brutalists, with whom Lindström shares a taste for sounds, spaces, and rationales that test the limits of his kit. It all offers an insight to the mind and working practice of a figure who, through directorship of EMS, and via technical credits for the likes of Ákos Rózmann and Fire! Orchestra, has crucially given artistic license and studio time to some of the contemporary fringe’s keenest and weirdest operators.